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erik tinsley



Erik Tinsley, or 'Oblivion Spin' is an expresser of feelings and ideas. These expressions take the form of zines, novels, spoken word and various forms of visual art and play with the idea of the divinely mundane. His work focuses heavily on mental health, making peace with morality and sharing parts of his more unique experiences. 

Born in Seattle, Erik has moved up and down the West Coast, settling in greater Portland, Oregon. When he isn't creating for the world, he spends a lot of time journaling, taking aimless strolls that suspiciously end at the bakery, tending to many desk plants and hunting for furbies at thrift shops. 

Erik releases a semi quarterly zine, Oblivion Spin Occasionally, and is hoping to self publish the first of his novels before the end of 2021. 

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Behind the Zines #1

I sent out some 22 copies of the first issue of The Oblivionspin Occasionally on Monday. Just 5 days ago, although it seems like 50. The interest and support has been overwhelming, even though only one person besides myself has seen it yet. I'm fiddling with content for the second issue, really hoping people enjoy the first, and I already ran into a major issue. My life is not lighthearted. Anecdotes I thought would be charming need content warnings. I'm quarantining upsetting conversations to companion minizines. Sitting here anxiously wondering what planned features I need to scrap. I am the creator, editor, marketing, distribution and everything for this teeny tiny magazine. Any expectations people have for it so far are purely based on their perception of my personality. It isn't a question of who this project is for- nah that's easy- people who are interested in what I have to say, people who see what I do online and like what they see. I've just got ...

the story that can't be illustrated

cover from what would have been a minizine circa 2018 One of my small pleasures of the Oh Es Oh is that it is a reciprocal for all sorts of things I never did anything with.   No matter how much dust, how many sloppily folded rejection slips, no matter what misgivings or whatever else- there is a potential home for everything I have ever done in this zine. It's home to parts of projects I am still working on, along side ones long abandoned.  For issue 3 one of the things I tried to revisit to breathe some new and fresh life into was a short story I wrote late 2017 based off a journal entry from late 2016 which I had tried, and failed, to illustrate back in... 2018 (and 2019, if we're being honest).  I determined back then that I just could not get the words and the pictures to work. Something didn't click.  I was excited to include the short story in this issue because, well, I always liked it. On premise at the very least. And thematically, it fit quite well ca...

Behind the Zines #2 : Apology

As I sit in the corner of my living room where I would put a papasan chair if had one, black nail polish chipped on my pointer finger from pulling staples, printer slowly grumbling away, I'm struck that I owe an apology. Dear people who make full-size zines, I'm sorry. I'm sorry for all the times I sassed about how much more exciting half sized zines were. Sorry I sassed about stapling instead of string. Sorry for sassing about formatting on the computer. I never sassed to your face, and the sass was always in good fun- because there are SO MANY THINGS you CAN do with a zine. But good fucking gravy- I get it now. Full-size zines are no joke. Now, please excuse me while I get back to jamming these guys into my too small stapler and dreaming up ways to make issue 3 more difficult on myself.